The challenge of George Galloway’s ‘Bradford Spring’

APRIL 4, 2012 – In the end, it wasn’t even close. Britain’s most prominent anti-war politician, George Galloway, is back as a Member of Parliament for his Respect Party, after receiving support so overwhelming that he had, in the words of a reporter for The Guardian, “annihilated the Labour vote”. As impressive as was his 10,000 vote majority in the by-election in his new constituency of Bradford West, even more so was the social movement feel which accompanied his campaign, replete with “first-time voters shimmying up trees to hang Respect banners” and “taxi drivers competing to see who could cancel their Labour party membership first” (Phidd 2012). Invoking the great mass movements in the Middle East from last year, Galloway called it the “Bradford Spring”. He will now, again, have an internationally recognized public forum from which to be tribune of the anti-war movement, and support the long struggle of the people of Palestine. Responding to him will be a real challenge for the pro-war Con-Dem Coalition, and the New Labour “opposition”. His victory also highlights challenges facing social movements in Britain and elsewhere.

Anti-Tory Then and Anti-Tory Now: ‘Power in the Darkness’

MAY 11, 2010 – So David Cameron is Britain’s new prime minister. His accession to 10 Downing Street is reminiscent of another May election when the smug elite organized in the Conservative Party outpolled the Labour Party. May 3, 1979, Margaret Thatcher defeated James Callaghan. She would in the 1980s, partner up with her U.S. equivalent – former B-movie Hollywood actor, Ronald Reagan – the two becoming symbolic of what we now call the neo-liberal revolution. Britain in the 1970s, however, did not just give the world neo-liberalism. It also produced cultures of resistance. And as the election results rolled in May 6 and 7, the tunes from one part of that resistance kept coming to mind. Power in the Darkness, the Tom Robinson Band’s breakthrough 1978 album, contained song after song which became anthems of resistance for young activists in the Thatcher/Reagan years. There are some parallels between 2010 and 1979, some important differences, and a new relevance for a thirty-two year old album.